Organs and Organisms is a reflection on the human condition from a biological , mythological, philosophical and political perspective. The origin of life, the struggle for survival, reproduction, science, fantasy, existential vertigo, the fragility of the body, death …these are some of the themes explored in the paintings gathered here.
Adam is presented as a distorted human form with internal organs exposed to view. In Michelangelo’s version Adam is in a relaxed reclining pose, calmly receiving the spark of life. In this interpretation, the first man experiences an existential nausea and acquires a dizzying sense of his biological fragility.
Adam and Eve suggests, first, a comparison between sexual and asexual reproduction, or a juxtaposition of macroscopic and microscopic concepts of life and sex. But the piece is also a comparison between religious and scientific conceptions of the world. Adam and Eve eat the forbidden fruit of the tree of knowledge: knowledge here considered evil or at least a little naughty. Knowledge is always the more uncomfortable choice, compared to the easy fantasy of the Garden of Eden.
Modern science conventionally retains the concepts of Adam and Eve to refer to the common ancestors of humanity on the male line (Y chromosome) and on the female line (mitochondrial DNA).
To He Who Has Shall Be Given is an allegory of the human condition and the global economic situation. A monstrous bird regurgitates fish from its crop to feed its desperate chicks. The mouth that feeds also threatens to devour. Brother fights against brother, and the biggest, greediest mouth wins the prize. The weakest chick, on the other hand, will be expelled from the nest by its brothers or swallowed whole by its merciless mother.
“For to all those who have, more will be given, and they will have an abundance; but from those who have nothing, even what they have will be taken away.”
—Matthew 25:29, New Revised Standard Version.
Danu the celtic earth goddess, is represented as an old woman who strolls along gathering flowers with a pair of toothed scissors. The folds of her clothes echo the forms of the rugged mountains reaching towards the sky. She represents the mother earth. We are the flowers. She tends to our needs , but she is not always gentle. She cuts us down when she sees fit, and gathers our souls in her timeworn basket. It is all part of the cycle of life. The Gaia hypothesis, named after Danu’s greek counterpart , claims that all life on earth should be thought of as a single living organism.